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Pro-Tipp: Nichts außerhalb des Kamerabildes erläutern und nicht hinter der Kamera weitererläutern.

Omg!Ich würde den Schmuck sofort tragen. Und das erste Kolier wow.....

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danke

Sehr interessant! Our host standing before the walls of Mshatta provided the scale to indicate how massive these structures are, an element not adequately transmitted through the photographs I had heretofore seen of them. And yet despite their monumentality, the carved decorations exude a wonderful delicacy.

Der Ton is leider völlig kaputt

Ustadh Haji Noor's Chinese-Arabic Calligraphy is one of a kind, SubhanAllah! Very artistic beautiful work, and very inspiring talent. 👌 💖

Alhumdullillah, very beautiful 💖

Ma shaa Allah , great calligraphist and great human being.❤

Wo bitte ist die Kuppel bei Minute 3:10? Das ist jedenfalls nicht die im Museum.

Ich habe für den 15. Mai 2024 Karten!

Toller Schnitt, gerne wieder.

Tanzen - ganz ohne Musik?

Die Universität Hamburg kann sich glücklich schätzen, dass eine derart sympathische und kompetente Frau, die Professur für Islamische Theologie ab dem 1. April 2024 angenommen hat. Im Video: "Der zweite Blick": Frauen, wirft Sie einen Blick auf Maria/Mariam- der Mutter Jesus von Nazareth- in einer sehr gefühlvollen Interpretation, die noch ungewöhnliches und interessantes von Ihr erwarten lässt.

Wunderbare Ausstellung, vielen Dank dafür.

der Film wäre doch eine tolle Gelegenheit gewesen, alles zu zeigen, was man im Museum normalerweise nicht machen kann: Die Schreiblade öffnen, versteckte Schubladen aufziehen etc. Stattdessen geht die Kamera nur um das Objekt herum, so wie der Besucher im Museum. Schade.

Schade dass der Palastgarten überbaut wurde. Er schien echt schön gewesen zu sein.

hello from Iran, thank you, isfahan is a beautiful city 😍

Wann die Gemelde KDF waren schon in Museum zmsp in Dresden, Berlin?

Eines Tages ❤

Die Bürger und Steuerzahler in diesem Land müssen sich wohl langsam daran gewöhnen, dass sie dieses Museum und diesen Rundgang wegen des Missmanagements dieser drei Projektleiterinnen von der Bundesbaubehörde BBR zu Lebzeiten nicht mehr erleben werden.

You broke my heart n now m dying😢

Einer von Hunderten.

Thank you for this great video but i was wondering why there is no name for the man who fixed it?

Warum wird nicht wider hergestellt und von den bandeten zuruck gebracht nach Alhambra

Schönes Video, gut gemacht!

Ich vermisse deutsche Untertitel. Mein Englisch ist nicht gut genug, um alles zu verstehen.

Danke für diese großartige Dokumentation. Belehrend und begeisternd. ich wundere mich nur, dass dieses Video seit einem Jahre im Netz steht, lediglich 308 Aufrufe erfolgten und ich der erste Kommentator bin. Nichtsdestoweniger freue ich mich auf meinen geplanten Besuch im Bode Museum im kommenden Mai.

Sehr schöner Beitrag, tolles Format und guter Input. Gerne mehr davon :)

Khalifah means "Successor" not "Governor"

Salam aleikum

This British colonialism stole it from Iraq. It must be returned to Babylon

Bin zwar 0% religiöse, aber fand das Video sehr interessant 👍.

Your video has a bad orange tint! The blue looks grey!

Warum gibt es in Ägypten Pyramiden? - Weil sie nicht in ein Museum passen...

Empfinden, zu den tiefen Ebenen des Begreifens, Wahrnehmens kommen. Visuelles mit Akustischem verschmolzen. Dazu die absolut beste körperliche Darstellung der Schauspieler vergrößern auf das höchste die Wirkung der Performance. Die eigene überwältigende Gefühle kann kaum beherrschen und beschreiben. Beuys würde begeistert sein.

Terrible camera

❤️🦋👨‍👩‍👧‍👦🙏🌏Love from Kempten

❤️🦋👨‍👩‍👧‍👦🙏🌏Love from Kempten

Our European institutions are so overrun with anti whites that they cant just say that it clearly has some byzantine style choices, they have to bleet on about multiculturalism, while providing no evidence.

incredible movements - so awesome , wish i had been there .

Great video! very interesting!

Thank you so much!

Sehr schön! Auch ein Teil Berliner, Preußischer Geschichte. Danke. Schadow-Gesellschaft e. V. von 1985

beeindruckende bilder einiger berliner museen.

Some corrections with approximate positions: [00:35, 39:06] Heinz Berggruen never had "an exclusive contract" with Picasso to sell his printed works, and he was never "Picasso's art dealer." Berggruen dealt in second-hand works by Picasso, often from suspect sources and with falsified provenances, as well in print editions, which he obtained by buying up subscriptions from collectors & dealers who were no longer interested in renewing them. [39:52] Berggruen was not close to any of the artists whose works he sold. He barely knew Picasso, who detested him from the start, for good reason. In February 1969, Picasso finally found Berggruen's behaviour so unacceptable that he told him never to show his face again. [39:06] Berggruen's print of the Minotauromachie in no way illustrates a "close connection between Picasso and his art dealer Heinz Berggruen." Around 1970, Berggruen purchased an unsigned (therefore probably stolen) print from an unknown source (he concocts several explanations, none of them plausible) and begged Picasso, with whom he was no longer on speaking terms, to sign it. The artist obliged hastily, deliberately omitting the date. Picasso routinely wrote "mon ami" even when addressing strangers, and usually the phrase is meaningless, but here it is a vehicle for the biting sarcasm which Picasso deployed when confronted with someone or something he intensely disliked. [39:52] There are not "a lot of photographs where you see the two of them together.” Considering how many photographers documented Picasso's life in detail, it is remarkable and indicative how few images include Berggruen. Mostly, he just happens to be somewhere in the crowd, and Picasso is ignoring him. The exception is one series of staged images by André Villers showing Berggruen crouching awkwardly at the feet of a visibly disgruntled Picasso. The man whom Berggruen has to thank for arranging the business meeting, Lyonel Prejger, is actually standing next to Picasso in the photo. For the cover of his autobiography, Berggruen cuts off Prejger to create a sense of intimacy and posthumous "proof" of a friendship that never existed. [40:53] There was no "personal tie between Picasso and Dora Maar." Berggruen's interest in Dora Maar was purely as a route to Picasso. In return for staging an exhibition of Maar's works, Picasso allowed Berggruen to reproduce some drawings he had given Maar in book form. Berggruen spoke disparagingly of Maar's art work, he skimped on the catalogue, which cruelly sported an ugly portrait by Picasso with a sarcastic dedication, and he was so indifferent that he couldn't even recall if Maar attended her own vernissage. As there were no more favours from Picasso to be gained, he refused her a second exhibition. Berggruen and Maar broke off all contact after that. Only decades later, shortly before her death, did Berggruen ask a colleague for her telephone number. Considering who produced the film, it is understandable that the narrator skirts the more problematic aspects of Mr. Berggruen's career, such as his collusion with Nazi looted art dealers, as well as some serious issues with the Collection, of which a substantial proportion belongs on the registry for potentially looted art. But as a professional curator, he should at least stick to the art-historical facts, as far as possible. Vivien Stein Reuter author of "Heinz Berggruen - Leben & Legende"

Ich gehe regelmäßig hin.